For
Project #1, I would like to explore the writing construct that states that students
cannot use
personal narrative or relevant anecdotes in academic writing. Originally I was going to explore the
general use of first person, but my research and my previous experience working in interdisciplinary
studies sparked an interest in this vein of the scholarship instead. In the
research I have completed
so far for my Intro and Synthesis, I have discovered
that writing in many interdisciplinary fields, as
well as cultural studies and
gender and feminist studies, employs personal narrative as a means to
relate
their personal experience to larger social issues. Using personal narrative
also addresses the
value of diversity, which these fields hold dear. Additionally,
related scholarship indicates that
teaching students how to write effective
personal narratives helps build rhetorical skill sets. In my
paper, I will argue
that absent in this discussion is a clear methodology for teachers on how to
introduce appropriate usage of personal narrative in writing for the
interdisciplinary fields. Teachers
need scholarship that shows them how to
teach students of interdisciplinary, cultural, and
feminist studies to effectively
write about and contextualize their personal experiences and
use them as
valuable primary sources for their academic papers.
This sounds fascinating! Outside of creative writing classes, very little instruction is done on using personal narratives, even though people do of course use them, so there is a big gap. I'm excited about this!
ReplyDeleteJennifer Pullen
Shannon,
ReplyDeleteThere is a lot on this in composition studies and other disciplines and your focus on the critical pedagogy area should yield plenty of material. A good source within feminist studies on your question (How to teach it) is Feminist Classrooms, eds. Sanchez-Casal and Macdonald. Their chapter in that book looks at this head-on. If you can't find it, let me know. I have a PDF of that chapter (but not the whole book).
See also Ira Shor, Paulo Freire, Henry Giroux, bell hooks.
--AR